The Landscapes of Breath, Time and Change includes works on paper, sculpture and paintings-that-are-not-paintings, and speaks to the landscape of breath, using the variables of time and change.
The work addresses organic transformation while exploring properties of materials, such as Armstrong’s use of pigmented fiber and acrylic stains to attain a painterly-like result. Her sprayed abaca sculptures are combined into a room-sized installation, augmented with video projection. The flat work ranges from large drawings with graphite and pastel to experiments using handmade paper.
